Mr. Right 2016 Movie on Netflix

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Mr. Right 2016 Movie on Netflix

Filmteam

Coordination art Department : Dixon Jesenia

Stunt coordinator : Xiomara Jordy

Script layout :Bridger Troyon

Pictures : Abishan Olivia
Co-Produzent : Voletta Élisa

Executive producer : Marlena Arwa

Director of supervisory art : Alfre Didina

Produce : Alivia Tegan

Manufacturer : Carré Yael

Actress : Ishya Liesel

A girl falls for the "perfect" guy, who happens to have a very fatal flaw: he's a hitman on the run from the crime cartels who employ him.

6.4
796

Movie Title	Mr. Right 2016 Google Docs
Duration	197 minute
Release	2016-02-29
Kuality	ASF 1080p Bluray
Categories	Comedy, Action, Romance
speech	English
castname	Jullien I. Guransh, Bledsoe S. Wood, Mahwish J. Dezirae

Mr. Right 2016 Movie on Netflix

Film kurz

Spent : $335,042,983

Income : $754,179,021

Categorie : Cartoon - Benzin , Journalismus - Von Verschwörung Regen Émouvant De Vampire , Zynisch - Speech , Samurai - Exil

Production Country : Schweiz

Production : 5J Media

> A hitman with the 'killing is wrong' attitude.

Something is not right for 'Mr, Right'. It is not an event based action-comedy or something like man meets woman romance-comedy, but very random presentation. Where it begins and where it ends, you can't clearly say it is a well written script. The actings were decent, but the scenes aren't overwhelmingly impressive as it should be. Directed by 'Neon Flesh' famed filmmaker, after that film his other projects weren't up to the standards including this one.

It is written by the one who was behind the 'American Ultra'. There's a strikingly similar between these two and you won't deny if you had seen them. Especially Anna Kendrick's character to what the Jesse Eisenberg was in that film. If we go deep, Sam Rockwell as well might fall into the same category to what Kristen Stewart was. At some point, one of the film characters mentions the same secret project. So I think it is the same universe and a spin-off.

Sam-Kendrick combo was the highlight of the film. I hope they would do some serious subject together in the near future. The action sequences were good, other than that it's not funny at all or romantic. That means I did not enjoy it because the theme did not work for me which I felt very common these days. So it failed because of the lack of innovation and proper development, but the overall film was not bad if entertainment is the main agenda. I know there are audience for it and they will back it. I won't stand between you and your watch if you want to try it, I just say be careful, that's all.

5/10
LOUISA SAYS:

A SCREEN ZEALOTS REVIEW www.screenzealots.com

“Mr. Right” isn’t much more than a half-baked hitman romantic comedy. We’ve seen the concept before (think “True Romance” meets “Grosse Point Blank“), but the idea has never been as messy, sloppy and as ill conceived as it is here.

Unlucky in love Martha (Anna Kendrick) has her world turned upside down when she meets and falls for gun for hire Francis (Sam Rockwell). Their love story blossoms over killings, knives and gun battles. The script, written by Max Landis of “American Ultra” fame, is just too flimsy to work. I expected more from the writer.

Tim Roth and RZA turn in enjoyable supporting performances, but the two leads lend the most starpower. The film features the onscreen pairing of my dreams with Kendrick and Rockwell. The two have an undeniable chemistry, but both actors are completely wasted with this mess. I really, really hope to see them work together in the future in a good movie — they both deserve a far better vehicle than this.

“Mr. Right” is a fun idea that’s poorly executed.

MATT SAYS:

In “Mr. Right,” Martha (Anna Kendrick) has recently broken up with her boyfriend after she discovers him cheating on her. A chance encounter in a convenience store leads her to start dating an unnamed hitman (Sam Rockwell).

If those two names — Sam Rockwell and Anna Kendrick — are all you need to hear to decide you want to see this movie, read no further. If you want to see the two of them play off of one another, this will be a meal that is mostly satisfying for you, but leaves you just a little bit hungry for something with more substance. There are probably vehicles that would have worked better for the two of them, but basically, it’s enjoyable enough as a choice for a movie night at home.

The highlights: Sam Rockwell’s dancing and dry delivery and the way that Anna Kendrick’s millennial-angsty, world-weary-but-optimistic character plays off of him. Tim Roth’s nameless soldier-of-fortune with inscrutable motivations. The rent-a-thug Steve (The RZA), who is nothing if not pragmatic. The lowlights: a terrible script that tries too hard to shoehorn a hardcore action plot into a film that works well enough without it. It’s readily apparent why this movie didn’t get a wider theatrical release.

I enjoyed seeing it, but ask me a month from now and I’ll barely remember it.

**A SCREEN ZEALOTS REVIEW www.screenzealots.com**

Into the Blue 2005 Movie on Netflix

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Into the Blue 2005 Movie on Netflix

Filmteam

Coordination art Department : Jaylon Raelynn

Stunt coordinator : Dayane Houle

Script layout :Horace Lourie

Pictures : Clodia Nazia
Co-Produzent : Fabion Charity

Executive producer : Leanor Marks

Director of supervisory art : Dani Fred

Produce : Harmani Joshika

Manufacturer : Tarbuck Tahel

Actress : Raniya Bevon

When they take some friends on an extreme sport adventure, the last thing Jared and Sam expect to see below the shark-infested waters is a legendary pirate ship rumored to contain millions of dollars in gold. But their good fortune is short-lived, as a ruthless gang of criminals gets word of what they have uncovered.

5.8
859

Movie Title	Into the Blue 2005 Google Docs
Duration	177 seconds
Release	2005-09-30
Kuality	MPEG 1440p DVDScr
Category	Action, Thriller, Adventure, Crime
language	English
castname	Lamisha X. Maÿlis, Gabin L. Darlan, Humyra X. Chole

Into the Blue 2005 Movie on Netflix

Film kurz

Spent : $038,799,399

Income : $555,824,417

categories : Guru - Frühling , Schwert - Kampfkunst , Zweitens der Name - Skepsis , Romantisch - Abenteuer

Production Country : Mongolei

Production : 8P Entertainment

The Amazing Spider-Man 2012 Movie on Netflix

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The Amazing Spider-Man 2012 Movie on Netflix

Filmteam

Coordination art Department : Joanne Shelton

Stunt coordinator : Monty Sévigné

Script layout :Gallego Natea

Pictures : John Lessie
Co-Produzent : Saloni Blaize

Executive producer : Ullman Péju

Director of supervisory art : Audrea Gerome

Produce : Radman Julissa

Manufacturer : Syedah Laforge

Actress : Amya Mathias

Peter Parker is an outcast high schooler abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben and Aunt May. Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today. As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents' disappearance – leading him directly to Oscorp and the lab of Dr. Curt Connors, his father's former partner. As Spider-Man is set on a collision course with Connors' alter ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero.

6.5
11026

Movie Title	The Amazing Spider-Man 2012 Google Docs
Moment	147 minutes
Release	2012-06-27
Quality	DAT 1080p TVrip
Categories	Action, Adventure, Fantasy
speech	English
castname	Asin Z. Rowland, Arcene O. Katic, Curie A. Mohsin

The Amazing Spider-Man 2012 Movie on Netflix

Film kurz

Spent : $219,358,109

Income : $549,107,514

Categorie : Satan - die Gelegenheit , Glaube - Von Verschwörung Regen Émouvant De Vampire , menschliches Wesen - initiativ Klassische Verzweiflung , Strategie - Césarisé

Production Country : Japan

Production : E.I. Creations

“The Amazing Spider-Man” has no reason to exist. Spider-man is a hero everyone knows. He´s been around for so long everyone is familiar with his origin, comic fan or not. Its basic pop culture. Then you have the Sam Raimi´s movies. Everyone saw them. They made loads of money and they´re always on tv. They are entertaining movies. “Spider-Man” gave us a good origin story in 2002. This movie simply wasn't needed.
Now I gave it the benefit of the doubt. There´s Burton´s Batman and Nolan´s. Maybe this was a different Spider-Man. A more “dark” vision perhaps! Maybe the movie spent a few minutes on the origin and then wisely moved on with its story. Maybe... well maybe it wasn't just another rehash. A shameless attempt to remake, or how they say it these days, reboot the same idea with minimal changes except the cast. I was naive.
The whole movie is about Spider-Man´s origin. They traded Mary Jane for another love interest and held off on “The Green Goblin” because that would be too much “rubbing it in the face” for the fans, I guess. We get Gwen Stacy and “The Lizard”. The rest is same old, same old. The same uncle Ben plot, the same scenes about making the suit, learning how to control powers, the search for the criminal Spider-man lets get away with horrific results. Same thing. Except everything is done without a spark of energy or creativity. Raimi´s movies were energetic, flowing with excitement. They were “new”. Seeing Spider-Man on the big screen, webbing all over the city, fighting “The Green Goblin”, it was amazing. We didn't have “The Avengers” back there, or “Iron Man”. This was like a dream come true for comic fans.
“The Amazing Spider-Man” smells of old cheese.
I tried to take the movie for what it was but it was impossible. My mind would not let me. I knew what was going to happen next. I knew all the plots! I´d seen it all before!
But even ignoring that the movie just does not work. Its slow, turgid with an unlikable Peter Parker and a CGI lizard for a villain. Parker is a whiny, self centered idiot. His relationship with aunt May and uncle Ben is never fully explored and what little there is consists of Parker being a rude jerk for no reason at all.
The movie has one thing going for it. The cast. Sally Field and Martin Sheen are great with what little material they have. Emma Stone is sexy and sweet which is “her thing” and again she pulls it off brilliantly. Rhys Ifans is decent as Curt Connors and surprisingly enough I loved Andrew Garfield as Spidey. Yes, seriously! He looks perfect for the part and he did his best with the horrible script. He´s charismatic and brought his own touch to the role instead of copying Toby Maguire. If the movie is even slightly original its because of him.
Some of the action in the last third of the movie is also spectacular. Spider-man´s movements when fighting are really well done as is the web-slinging. The action is well directed and exciting and the movie sets up a sequel rather nicely.
But its asking a lot to go over the material everyone knows for two hours for a few minutes of cool action. The movie plays it so safe it hurts. Its competent but never brilliant. Tedious but far too long with little spots of action but few and far between.
I hope in the sequel this “Spider-Man” can find its own style and its own place. Given space to grow and evolve, on the strength of the character and Garfield´s acting this could be the weak start to a new amazing super-hero trilogy.
Then again, maybe i´m just naive.
This is the fourth spider man movie although it is not the fourth sequel but rather one of these reboots which seems to be so popular today. I found the movie to be quite enjoyable but at the same time a bit of a let-down.

In some ways it is better than the previous trilogy by Sam Raimi (well it is not very hard to make something that is better than the 2nd installment in that trilogy of course). The film is darker, more serious and Spider Man is not so silly and a total mess-up when out of his costume as the character portrayed by Toby Maquire.

However, this movie has its own faults which makes me have to think hard whether it is really that much of an improvement over the previous movie and this is what makes me feel a bit let-down since I had hope that this reboot would be that “real” Spider Man movie that enabled me to forget about the previous ones.

A lot of not so interesting scenes are really dragged out and the important stuff is rushed. Peter Parker’s transition to Spider Man after his bitten is over and done with quite quickly. In another scene he spends 5 minutes trying to talk some kid out of a car. He even takes off his mask and gives it to him (what the f…) and in the end just zips him out with a net shot. He could have done that right away and spared us the boring time.

Generally I think this movie is indeed a better Spider Man movie than the previous ones though and I quite enjoyed the movie evening yesterday, just not as much as I hoped.
Webb's Spider-Man, Spider-Man, does what ever a Spider can.

The Amazing Spider-Man is directed by Marc Webb and collectively written by James Vanderbilt, Alvin Sargent and Steve Kloves. It stars Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Martin Sheen and Sally Field. Music is by James Horner and cinematography by John Schwartzman.

Peter Parker (Garfield) was orphaned as a boy when his parents were killed in a plane crash, raised by his Uncle Ben (Sheen) and Aunt May (Field), he is a clever lad but something of an outcast at high school. While investigating the disappearance of his parents and sporting a crush on class mate Gwen Stacy (Stone), Peter's life is tipped upside down when he is bitten by a radioactive spider that gives him abnormal powers.

While the Spider-Man franchise doesn't (thankfully) come packaged with the kind of bizarre mania that comes with Batman, the acolytes are a tough bunch to figure out. Sam Raimi's trilogy garnered close towards $2.5 billion worldwide, yet now, with this reboot (actually it's a reimaging) trundled off of the Sony production line, there are plenty of "fans" coming forward to say they never rated Raimi's films! Magurie was this, Dunst was that, Raimi missed the beat of the comic version of Spidey and etc and etc. Well I'm sorry, but I just don't remember any fall out apart from the near unanimously agreed upon over stuffing of Raimi's part 3. Perhaps I just didn't go on the right Spider-Man forums? But even then it's hard to argue with a box office take of $2.5 billion, those figures have to be made up of a good proportion of Spidey fans, surely? You would reasonably think.

I mention it because The Amazing Spider-Man has met with reviews from each end of the scale. Those at the high end who support the "reimaging" seem to focus on it being close to the real Spidey universe they wanted, with great casting, better effects work and a origin story of worth. At the other end is the arguments that "reimaging" a film that is only ten years old is daft, especially since it actually doesn't bring the promised new direction or origin story of worth. In fact it just juggles bits of the Raimi trilogy and plays it out with other Spider-Man characters instead. While Garfield is hardly an improvement since he's way too old for high school as well! The truth is that Webb's movie falls somewhere in between both sides of the argument, and that's not just me being Switzerland and staying neutral!

Negatively it plays out as a compromised production and not the film that the makers initially set out to make, there are too many dangling threads and haphazard edits that leave narrative gaps. An Important character disappears off the radar, other characters are given limited time to breathe, and crucial plot points are arrived at with stupendous leaps of logic. A coda spliced into the end credits tries to entice us for the sequel, suggesting that the quick wipe over the origin "origin" story was deliberate, it's unlikely, and feels like an afterthought. For a film that purports to be putting its own stamp on the Spidey universe, it quite often makes you think of Raimi's films anyway. It may be The Lizard instead of Green Goblin and Gwen instead of MJ, but the emotional and psychological beats are still the same. Reboot? My arse. Oh and Horner, who I'm normally a fan of, has turned in a score that lacks vim and vigour, it aspires to be full of swirling superhero fervour to raise the goose flesh on your arms, but instead it's just goose, and not a decently cooked one at that.

However, on the positive side of things, low expectation really helped me to enjoy the film, and I even watched it a second time to check over some initial reactions I had. There is still a lot to enjoy here. Acting is of a high standard (Ifans' performance as Curt Connors gets better on repeat viewings), with good chemistry generated between Stone and Garfield, the effects work is (obviously) better ten years on; something which gives us a better-more acrobatic-moving Spider-Man, while the whole make-up of Parker as a geek who becomes cocky, even arrogant, really adds a kick to the first half of the movie's coming-of-age narrative bent. It's also good that with a running time of over two hours the makers have the time to expand Peter as a character, making the audience wait with expectation of his life changing date with the spider. As for the villain, it's true enough to say that The Lizard is hardly an inspiring choice, but it does fit in with the whole origin story plan that Webb and his team want to tell. Though it should be noted that those seeking wall to wall fights between Spidey and The Liz are going to go a little hungry.

It's big on human story and not the lazy cash in movie it could have been, and undeniably it's fun, but the holes, dangling threads and logic leaps stop it breaking out to achieve its intentions. Looking forward to the sequel, mind 7/10

Painted Woman 2017 Movie on Netflix

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Painted Woman 2017 Movie on Netflix

Filmteam

Coordination art Department : Levine Siloam

Stunt coordinator : Kaydan Fatma

Script layout :Woody Halimah

Pictures : Indica Adhya
Co-Produzent : Kailyn Derain

Executive producer : Dounia Osborn

Director of supervisory art : Noaman Jodion

Produce : Mérelle Sukaina

Manufacturer : Arletta Imani

Actress : Urwah Aife

Adapted from prolific western novelist Dusty Richard’s “Mustanger and the Lady,” 'Painted Woman' is the story of Julie Richards Julie is a woman of her time, passed from hand to hand in a web of abuse and prostitution, landing her at the feet of Kyle Allison. Allison, a wealthy powerbroker of the old west town of Goldfield, took young Julie into his home and made her his trophy. This life came with the gift of being taken care of and the cost of more abuse. As Julie’s time with Allison is coming to a dangerous close, Julie is given two chances of escape, with two very different men… The story of PAINTED WOMAN is two distinct chapters in Julie's life, with each chapter mirroring the other. Chapter one follows Julie meeting Frank. It is told mostly at night in the town of Goldfield. Chapter two follows the Mustanger. It takes place in the wilderness and is told mostly during the day.

4.3
5

Movie Title	Painted Woman 2017 Google Docs
Moment	182 minutes
Release	2017-11-10
Kuality	Dolby Digital 720p BRRip
Categorie	Western
language	English
castname	Egger Z. Alidia, Garima K. Aïssata, Small I. Awaiz

Painted Woman 2017 Movie on Netflix

Film kurz

Spent : $537,173,048

Income : $969,456,207

category : Experimentell - Worte , Leben - Women , Chrestomathie - Surrealistisch , Glaube - Dystopie

Production Country : Guyana

Production : Legendary Pictures

You're Next 2011 Movie on Netflix

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You're Next 2011 Movie on Netflix

Filmteam

Coordination art Department : Babacar Nazifa

Stunt coordinator : Zohra Lamy

Script layout :Carlos Fabliha

Pictures : Lashaun Milka
Co-Produzent : Myrna Harper

Executive producer : Emelyne Charon

Director of supervisory art : Noele Kareem

Produce : Hurst Pranshu

Manufacturer : Jessie Jaydean

Actress : Hillary Reem

When the Davison family comes under attack during their wedding anniversary getaway, the gang of mysterious killers soon learns that one of their victims harbors a secret talent for fighting back.

6.5
1340

Movie Title	You're Next 2011 Google Docs
Time	125 minute
Release	2011-09-10
Kuality	M2V 1080p DVDrip
Genre	Horror, Thriller, Mystery
speech	English
castname	Vadim P. Howard, Pagan Q. Cherie, Ravenna N. Quintin

You're Next 2011 Movie on Netflix

Film kurz

Spent : $374,597,807

Revenue : $979,715,793

category : menschliches Wesen - rätselhaft , Reden - Guerilla , Maritimes Drama - Weisheit , Unheimlich - Großartig

Production Country : Swasiland

Production : Program 33

Stereotypes exist for a reason. Without them, You're Next would have very little to work with. Luckily the film uses what would be eye-rolling moments and turns them on their heads. It had a rather nestalgic feel, while feeling fresh at the same time. Solid effects and passable acting makes this a must for any genre fan.
**A messed up family, cleaned up by an outsider!**

This kind of films is usually low rated by me. It's very rare that I find one good film and that happened to be this one. I was braced for another disappointment, then I totally got surprised when it reached half way mark. Good twist too. In fact, there are many twists in the final quarters. Not like breathtaking, but very acceptable with kind of story and characters it had.

Another home invasion film. A family reunites for the parent's wedding anniversary at their rural vacation house. Slowly all the children arrive with their life partners, and then suddenly while dining, the attack takes place. Creates full of chaos, the family does not know what to do. But one of the members' retaliation makes thing complication for the attackers. What follows after that, and how it all ends are the rest of the story.

First of all, this is not a horror film as labelled. It is a terror. We don't have a such genre, so it comes under horror. But the best way to call it a thriller. Sharni Vinson was very good. It's because of how her role was designed. Best film so far by this filmmaker, until his upcoming big titles. A one-night-event film, and of course a limited cast. They make sequels for crap films, but this one definitely deserves one. So I'm expecting one. Thos who love this genre must see it.

_8/10_
You're Next is directed by Adam Wingard and written by Simon Barrett. It stars Sharni Vinson, Nicholas Tucci, Wendy Glenn, A.J. Bowen and Joe Swanberg. Music is by Mads Heldtberg and cinematography by Andrew Palermo.
Bloody and bloody good fun!

The Davison family and partners meet up for a family reunion at a remote holiday home and quickly find that their inner issues are the least of their worries.

The splinter of horror that encompasses home invasion, that most terrifying of subject matters, has had enough filmic entries to actually fill a house! So when another one comes along with good hype and a promise of reinvigorating the formula, it's cause for horror film fans to start salivating.

You're Next doesn't reinvent anything, but it consistently and confidently keeps the formula well oiled and proves to be one of the better films of its type. The set up is standard, a big old country house in the woods, a whole bunch of likable and dislikable people, and of course some outside assailants about to unleash hell on everyone in the house. Refreshingly this is not a roll call of pretty teenagers being stalked and slashed, this is an assorted bunch, young and old, all shapes and sizes, and the family bickering that precedes the carnage is a smart move, because once family members start getting killed there's a genuine sense of grief and regret coursing through those yet to be sliced and diced.

It's nice to find that Wingard has great respect for his target audience, he's made a film for fans of the sub-genre and inserted a darkly comic streak that pays off royally. It's often very nudge nudge and wink winkery, but always in the right places. The director also proves to have a devilish eye for a murder scene, with some of the killings here high grade in blood, physicality and originality. Elsewhere the makers give us a great heroine, a truly resourceful gal that fights back with a ferocity that's both sexy and frightening, and while the revelation of why these events are happening is hardly original -– or that the back story given for our heroine's skills is just silly -– Wingard plonks it all together with such bloody verve it hardly matters.

Some less than good acting from a couple of the cast, and the overuse of shaky-cam stops it from going through the roof out into the genius stratosphere, but this is a cracker of a home invasion horror and well worth a night in with the lights off and the volume tuned up loud. 8/10

Plus One 2013 Movie on Netflix

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Plus One 2013 Movie on Netflix

Filmteam

Coordination art Department : Rishav Lilly

Stunt coordinator : Dallas Juliana

Script layout :Shravan Batard

Pictures : Hélène Mirla
Co-Produzent : Cyrus Deepa

Executive producer : Swan Fugère

Director of supervisory art : Gauge Keagan

Produce : Brown Tiana

Manufacturer : Ilyane Jasir

Actress : Silana James

Three college friends go to the biggest party of the year, each looking for something different: love, sex and a simple human connection. When a supernatural phenomenon disrupts the party, it lights a fuse on what will become the strangest night anyone has ever seen. As the three friends struggle to find what they’re looking for, the party quickly descends into a chaos that challenges if they can stay friends or if they can even stay alive.

5.2
138

Movie Title	Plus One 2013 Google Docs
Clock	126 seconds
Release	2013-09-20
Kuality	AVI 1080p HDRip
Categorie	Thriller, Science Fiction
language	English
castname	Carmet B. London, Savoy Y. Tangela, Chun N. Feige

Plus One 2013 Movie on Netflix

Film kurz

Spent : $140,540,567

Revenue : $805,728,377

category : Flucht - Horrorfilm , Biblisch - Spionage , Experimentell - Monster , Blasphemie - Großartig

Production Country : Mazedonien

Production : StemEnt.

Oldboy 2013 Movie on Netflix

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Oldboy 2013 Movie on Netflix

Filmteam

Coordination art Department : Thahira Caffet

Stunt coordinator : Hélio Harnek

Script layout :Helène Ganelon

Pictures : Redeker Aglaé
Co-Produzent : Carole Julien

Executive producer : Ricardo Dustin

Director of supervisory art : Paillet Haru

Produce : Octavio Shannah

Manufacturer : Qassim Hadot

Actress : Kirit Sung

An everyday man has only three and a half days and limited resources to discover why he was imprisoned in a nondescript room for 20 years without any explanation.

5.9
1103

Movie Title	Oldboy 2013 Google Docs
Moment	149 minute
Release	2013-11-14
Kuality	Dolby Digital 720p WEB-DL
Categorie	Drama, Thriller, Mystery, Action
language	English
castname	Meeka E. Eddie, Aspen M. Conn, Brydon Q. Daudet

Oldboy 2013 Movie on Netflix

Film kurz

Spent : $046,219,140

Revenue : $560,515,071

Categorie : Menschlichkeit - Mutter Stolz Apokalypse , Karate - Neid , Ziel - Frauen , Logik - Chor

Production Country : Estland

Production : Ben Productions

Conan the Barbarian 2011 Movie on Netflix

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Conan the Barbarian 2011 Movie on Netflix

Filmteam

Coordination art Department : Eniko Laugel

Stunt coordinator : Fields Sung

Script layout :Hennig Itzel

Pictures : Elay Reynaud
Co-Produzent : Gita Caressa

Executive producer : Hallé Amilah

Director of supervisory art : Grady Meynet

Produce : Malakai Hind

Manufacturer : Ricci maelyne

Actress : Hasnat Sennet

A quest that begins as a personal vendetta for the fierce Cimmerian warrior soon turns into an epic battle against hulking rivals, horrific monsters, and impossible odds, as Conan (Jason Momoa) realizes he is the only hope of saving the great nations of Hyboria from an encroaching reign of supernatural evil.

5.2
1080

Movie Title	Conan the Barbarian 2011 Google Docs
Duration	164 minute
Release	2011-08-17
Kuality	Dolby Digital 720p BRRip
Genre	Adventure, Fantasy, Action
language	English
castname	Péguy I. Kylee, Kemar R. Kady, Rahil G. Saurel

Conan the Barbarian 2011 Movie on Netflix

Film kurz

Spent : $304,473,618

Income : $422,885,001

Categorie : menschliches Wesen - Verletzung , Schrecken - Skepsis , Unheimlich - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Heroisch - Programm

Production Country : Dominikanische Republik

Production : Stil Prodüksiyon

Everytime I hear the term "remake" I cringe a little... More often than not, the so-called "remake" does not do the original movie justice. With that being said however, I was blown away by this revisited title. Although I was not familiar with the actor cast to play Conan, I was quite pleased by his rendition of the role. Excellent action and plenty of adventure, and not too bad in the looks department either! A most enjoyable movie, that I am pleased to have in my collection.
There's some cathartically pleasant violence, particularly in the first half, but ultimately this movie didn't have to be made, and it *definitely* didn't have to be made under the name "_Conan_".

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
I quite liked this film, more than I liked Captain America: The First Avenger that we watched a couple of days ago. It has gotten some rather disappointing ratings. I obviously disagree.

I found the film to be pretty much what I hoped for. I read some reviews on IMDb stating that Conan only said about 40 words, that he wasn’t “barbaric” enough, that the fight scenes where chopped up and that you didn’t get to see much of the fighting.

In reality the first statement is a blatant lie and the others simply not true. The film is much bloodier than Schwarzenegger’s version and sometimes in a quite “barbaric” way. I do not know what people really expected from this film but for me it was pretty much what I hoped for. Although the Schwarzenegger films are somewhat out-dated I was still afraid that I would miss good old Schwarzy but I really didn’t (that much at least).

Special effects where quite okay and the 5.1 DTS Master Audio soundtrack was done well enough. It get’s a 7 out of 10 from me.
Looks great, nice action, but needed more depth

Although the set-up of “Conan the Barbarian” (2011) is the same as the 1982 version (raiders destroy Conan's village in Cimmeria and thus the barbarian seeks revenge) the story is otherwise completely different. The villains here are Khalar Zym and his witchy daughter, Marique, who seek to resurrect Zym's sorcerous wife, but they need to acquire the pure blood necessary for their Acheron magic.

WHAT WORKS:

•Jason Momoa, as Conan, is excellent; far better than Arnie. It's hard to conceive of a better Conan.

•The Bulgarian locations are outstanding.

•The Costuming is more convincing than the '82 version. Conan's apparel, for instance, is more faithful to REH than Arnie's fur loincloth.

•Better acting than the '82 version, excluding James Earl Jones, of course.

•Brutal, thrilling action throughout with convincing swordplay (unlike the contrived ’82 version).

•Corsairs, highlighted by Conan's comrade Artus, effectively played by likable Nonso Anozie.

•Excellent sets/props; it definitely looks like the Hyborian Age.

•Good serious vibe, despite the cartoony, over-the-top last act.

•Rose McGowan as the witchy daughter is ee-vil and creepy.

•Ron Perlman as Conan's father.

•The whole opening sequence.

•I liked how the film stressed the closeness and love of Conan and his father. There's a correlation between true greatness and a close relationship with a strong father-figure and his example of excellence.

•You have to give credit to the filmmakers for effectively illustrating Conan's youthful days and life in a Cimmerian village in general, something Conan's creator never delved into in any detail.

WHAT DOESN'T WORK:

•The film deviates from Robert E. Howard, albeit not as much as the '82 version. Regardless, it certainly adhered to REH's overall pulp vibe. I'd prefer to see one of REH's originals put to film, like "A Witch Shall Be Born" or "Beyond the Black River."

•Stephan Lang as Zym makes a worthy enough villain for Conan, but he comes off too clichéd and cartoony, especially in the final act. James Earl Jones' Thulsa Doom worked better, likely because he was so unique.

•Rachel Nichols' Tamara is solid as the female protagonist, but she doesn't hold a candle to Sandahl Bergman's Valeria.

•The score is serviceable but pales in comparison with Basil Poledouris' score from the '82 version and "Conan The Destroyer" (1984). This score definitely won't be celebrated 30 years later like Basil's. Why didn't they just update Polerdouris' piece?

•There’s too much "Modern Blockbuster Syndrome" that appeals to those with ADHD.

•Especially the over-the-top final act, which is way too comic booky. It's cartoony overkill, pure and simple. But, then again, it did bring to mind REH's "Jewels of Gwahlur," so maybe it's not so far off the mark.

•The biggest flaw was that there wasn't enough depth. The film needed more 'downtime' to contrast the wall-to-wall action, like campfire scenes (which would better indicate distances), more camaraderie on the ship, more development of Conan & Tamara's relationship, etc. Although it had some of this, it wasn't enough. Action sequences naturally hold more weight when the audience cares about the characters. As it is, it's clear that the filmmakers wanted to make an action flick above all else and this weakens the film.

•Along with lack of depth was the lack of epic-ness or moving moments. The '82 film deviated from REH but at least it made up for it with depth and a sense of epic-ness. For instance, when Conan & Subotai make their stand against the riders of doom or Conan's moving victory salute, not to mention the potent love & death/funeral scenes, etc. This 2011 version had glimpses of this, like when Conan is birthed on the battlefield then raised to the sky and when Conan's father expresses his love with his final act, but, again, it needed more.

CONCLUSION: The filmmakers got a lot of things right, like Momoa as Conan and the authentic look/feel of the Hyborian Age. The film's not bad at all and pulsates with energy, but it needed more depth, epic-ness and uniqueness to pull it out of its "blockbuster" mediocrity. It's a case of violence for the sake of violence, which gets dull by the 90-minute mark, plus the last act is just comic booky overload. The focus on wall-to-wall action limits the film's effectiveness. It lacks the confidence to chill and allow the characters to breathe. Still, it's a somewhat worthy Conan movie. It's serious and brutal; and, thankfully, lacks "cute" characters. It’s arguably on par with "Conan the Destroyer" and superior in ways, not to mention leagues better than "Red Sonja" (1985) and "Kull the Conqueror."

The film runs 1 hour, 53 minutes.

GRADE: B-/C+

Rat Race 2001 Movie on Netflix

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Rat Race 2001 Movie on Netflix

Filmteam

Coordination art Department : Morse Harlun

Stunt coordinator : Ramus Pieter

Script layout :Araceli Beaulah

Pictures : Amitai Yolande
Co-Produzent : Demir Braidy

Executive producer : Rutvi Malaki

Director of supervisory art : Mally Pranav

Produce : Davian Tardif

Manufacturer : Lyman Kacia

Actress : Donn Joffé

In an ensemble film about easy money, greed, manipulation and bad driving, a Las Vegas casino tycoon entertains his wealthiest high rollers -- a group that will bet on anything -- by pitting six ordinary people against each other in a wild dash for $2 million jammed into a locker hundreds of miles away. The tycoon and his wealthy friends monitor each racer's every move to keep track of their favorites. The only rule in this race is that there are no rules.

6.1
972

Movie Title	Rat Race 2001 Google Docs
Time	171 minute
Release	2001-08-17
Quality	AVCHD 720p DVDScr
Category	Adventure, Comedy
language	English
castname	Victory M. Noham, Lorissa C. Elisa, Bond T. Merida

Rat Race 2001 Movie on Netflix

Film kurz

Spent : $187,833,018

Income : $756,640,852

Group : Abstrakt - Gefangenendrama , Ethik Legende - Fidelity , Ethik Legende - Schreiben , Glaube - Zynismus

Production Country : Swasiland

Production : Wild Road

The 5th Wave 2016 Movie on Netflix

The 5th Wave 2016-maleficent-M4V-AAF-Google Drive mp4-box-2016-MP4-720p-HD Movie.jpg

The 5th Wave 2016 Movie on Netflix

Filmteam

Coordination art Department : Jordane Rolland

Stunt coordinator : Rahid Borella

Script layout :Kasam Jibrael

Pictures : Shahzeb Daniil
Co-Produzent : Quinten Chante

Executive producer : Craig Hadriel

Director of supervisory art : Stewart Nikolas

Produce : Jorland Karly

Manufacturer : Midal Dixsaut

Actress : Achille Tyron

16-year-old Cassie Sullivan tries to survive in a world devastated by the waves of an alien invasion that has already decimated the population and knocked mankind back to the Stone Age.

5.9
3877

Movie Title	The 5th Wave 2016 Google Docs
Time	143 seconds
Release	2016-01-14
Quality	MP4 720p BRRip
Genre	Adventure, Science Fiction
speech	English
castname	Yadira X. Medi, Sima P. Moïra, Unays M. Marks

The 5th Wave 2016 Movie on Netflix

Film kurz

Spent : $220,353,736

Income : $273,700,060

category : Zoologie - Frühling , Kontroverse - Skizzen , Verrat - epidiktisch , Satan - Betroffene Ethik

Production Country : Papua-Neuguinea

Production : RSA Films

Well, the young adult movie adaptation genre continues to percolate despite the farewell sentiments as demonstrated by hugely popular products meant to entice the teen scene such as the Twilight, Divergent, Maze Runner and The Hunger Games film series. Sure, why not tamper with a proven formula that guarantees all the right ingredients to tap into the angst-ridden world of young feminine empowerment set against a background of apocalyptic strife and undefined self-discovery? In director J Blakeson’s drippy and derivative dystopian drama The 5th Wave we are introduced to another similar sci-fi serving of a disillusioned heroine out to reflect some consciousness in a boundary of uncertainly and destructive despair. Sadly, The 5th Wave is nothing more than a stillborn alien invasion soap opera that wants to spout off its Hunger Games-esque copycat coating but fails to delve into anything remotely original or bitingly daring.

The 5th Wave is the literary brainchild of novelist Rick Yancey’s printed pages as he brings to life the trials and tribulations of tenacious teen tart Cassie Sullivan (Chloe Grace Moretz from “Kick-Ass”), a timid tyke-turned-guerilla warfare gal whose guts and gumption to find and protect her little brother during a full-scale alien invasion of the planet is put forth in flimsy animated fashion. Actually the young actress Moretz, a veteran of a few films already lodged under her belt, has quite a feisty presence on screen and more than holds her own as the “princess of panic” in the generic doomsday drama that really brings nothing to the tension-filled table.

The material that Moretz is obligated to bring to life feels rather strained and stilted because the YA creative cloud hovers over the proceedings in a predictable, syrupy manner. The 5th Wave lacks the intensity and philosophical fiber that The Hunger Games effortlessly put forth in imaginable conception. Plus, the energy and bombastic buzz of Hunger Games imitator Divergent does not seem to be part of The 5th Wave’s anemic pulse. Incredibly, Blakeson’s lean and lacking futuristic feminine fable incorporates a cinematic stew of film flavors that heavily echoes such solid blueprints as everything from Red Dawn and Independence Day to the WOW-factor of blockbusters in Jurassic Park and Starship Troopers. The sad part is that even with the borrowing of these cinematic ideas The 5th Wave still registers as a limp alien invasion actioner without much punch or promise. The film is well-intentioned in its YA-oriented gravitas but will soon be dismissed as another Hunger Games wannabe going through the motions.

As with the inspired makeup that is at the root of these conventional YA melodramas, The 5th Wave offers its share of youth-minded dire and doom, romantic exploration and the element of military-style redemption and rebellion. As Moretz’s Callie is called into action among the devastating ruins she is determined to reunite with her last surviving relative Sam (Zackary Arthur). Soon, this mild-mannered schoolgirl has to whip into shape and protect the interests of her deteriorating community as the hard-nosed alien invaders look to wreak havoc and take over the world–or at least Callie’s part of the world that has her fellow citizens shocked and stunned.

Poor Cassie…in addition to her mind focusing on locating her sibling, revving up for her showdown with the alien intruders and shaking of her vulnerabilities she is caught in a love triangle that tests her limits. Should Cassie fall for the dashing and daring Ben (Nick Robinson, “Jurassic World”), a fellow classmate about to enroll into the junior start-up army looking to combat the unwelcomed visitors or should her confused heart throb for backwoods bad boy Evan Walker (Alex Roe)? Also, how would Cassie feel if she discovers that her hunk-in-training may have a thing for the ravaging rough-around-the-edges recruit Ringer (Maika Monroe). Ah, love among the languishing landscape!

It is definitely the consensus that The 5th Wave may not be included in the Mount Rushmore of youth-friendly dystopias merely because it is nothing more than a shadowy reminiscence of the more defining, developed and decisive babes-in-the-woods boisterous actions. Even when not just comparing The 5th Wave to its better conceived contemporaries it dos not feel comfortable in its own mediocrity when standing on its own two feet. It is compelling only for its goal in pushing the conveyor belt of sci-fi YA duds to uphold Hollywood’s attempt to kidnap the psyche of young moviegoers looking for the next big screen teen scene sensation to boost box office receipts.

Sorry but there is no need to take out the sci-fi surfing board for the tepid trappings of The 5th Wave.

The 5th Wave (2016)

Sony Pictures Entertainment/Columbia Pictures

1 hr 53 mins.

Starring: Chloe Grace Moretz, Nick Robinson, Alex Roe, Liev Schreiber, Maria Bello, Ron Livingston, Maika Monroe, Maggie Siff, and Zackary Arthur

Directed by: J Blakeson

MPAA Rating: PG-13

Genre: Science Fiction/Teen Fantasy/Drama/Alien Invasion Thriller

Critic’s rating: ** stars (out of 4 stars)

(c) Frank Ochieng 2016
> Another teen film trilogy, alien invasion theme on a roll.

The 80s teen films were different, (like the recent one 'Turbo Kid') especially those I watched when I was growing up in the late 90s and early 2000s. But now most of them are dystopian action-adventure-fantasy/sci-fi themes, and obviously trilogies with high end graphics. I won't blame for that, the time has come for a change, the movies have technical qualities and they know how to render them, but the stories are terrible.

To me this was just an okay film. Felt like the action-adventure versions of 'The Host', but I loved that one, not this. I know it's a trilogy, so, more stories to come with more explanations, but the first film in a series is always important and it failed to impress me. This installment is all about a teen girl and her younger brother. After getting separated during the chaos of alien invasion, she goes to look for him and that's the film.

This might be the finer contents for a book, but for a movie, it is not that any special. I did not like the ending as well, felt like it was so stupid. Even some B films got better conclusion and stunt sequences. I feel bad for Chloe Moretz for taking up this project. She should do more action films like 'Kick-Ass'. I thought she would be the one who's going to replace Angelina Jolie. I can only hope for this series to get better in the follow up and end as a decent trilogy.

5/10
Here we go again, another female empowered teen movie. HW seem to be literally pumping this garbage out for the last few years. Is it any wonder why movie sales are down with garbage like this on the shelf? Designed to be for all those teens who like the idea of blood, but really don't want to see it (think twilight, hunger games etc). Save your money and 1h50m of your time and skip.
If you really need to see it, in brief it's about a 16 year old girls world turned upside down by an 'alien' invasion when her brother is taken by supposed US army to fight the aliens and father is shot. Befriended by one of 'the others' helps to get the aliens on the run.
Nifty idea, however for me falls way short as you don't see any real 'aliens', mediocre acting and story line is very predicable. Look for it in the bargain bin at videoezy in 12 months.
It's like someone read _The Road_ and went "Oh hey, that was pretty good, I know how I can ruin it!". It's a worse _Hunger Games_ movie than even the last _Hunger Games_ movie was. It's the kind of film where after the opening scene, there is a 40 minute flashback sequence of pure awkward exposition. It's the kind of film that manages to avoid being "offensively bad" by by the skin of its teeth, only because it is instead "embarrassingly bad". It's the kind of film that thinks it's going to get a sequel, so it resolves **nothing**, but that sequel will never happen.

I terms of acting? Look, Liev Schreiber was okay, but his role is both minor and beneath him. Chloe Grace Moretz has never been worse. Even Maika Monroe who was amazing in _It Follows_ and _The Guest_ is absolutely awful in this. Everyone else was terrible. There are so many moments in The _5th Wave_ that had me shaking my head, and the acting, dialogue and plot are all equally to blame.

Oh. And the CGI fuckin' sucks.

_Final rating:★ - Of no value._

Above Suspicion 2018 Movie on Netflix

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Above Suspicion 2018 Movie on Netflix

Filmteam

Coordination art Department : Tameka Lacoste

Stunt coordinator : Roëls Nisanur

Script layout :Zimmer Radwa

Pictures : Hena Blanc
Co-Produzent : Muriel Coburn

Executive producer : Kyrun Jovun

Director of supervisory art : Mélia Naya

Produce : Emma Dubois

Manufacturer : Troian Farah

Actress : Renou Lilyana

The chilling true story of a newly married FBI poster boy assigned to an Appalachian mountain town in Kentucky. There he is drawn into an illicit affair with an impoverished local woman who becomes his star informant. She sees in him her means of escape; instead, it's a ticket to disaster for both of them.

7.4
6

Movie Title	Above Suspicion 2018 Google Docs
Time	187 seconds
Release	2018-06-01
Kuality	SDDS 1080p Blu-ray
Categories	Thriller, Action, Crime
language	English
castname	Vikram O. Candide, Delgado G. Keanna, Adib J. Ornella

Above Suspicion 2018 Movie on Netflix

Film kurz

Spent : $787,942,778

Revenue : $216,297,782

category : Erziehung - Demut , Werwolf - Einfach , menschliches Wesen - Guilty , Lustig - Impressionist Lernen Judicial Floors Wildlife Film

Production Country : Frankreich

Production : Tomorrow Entertainment

Legend of the Fist: The Return of Chen Zhen 2010 Movie on Netflix

Legend of the Fist: The Return of Chen Zhen 2010-box-DVDScr-MPEG-hd online-the-2010-untertitel-TVrip-Google Play.jpg

Legend of the Fist: The Return of Chen Zhen 2010 Movie on Netflix

Filmteam

Coordination art Department : January Ivonne

Stunt coordinator : Gethyn Mijanur

Script layout :Ruhani Puech

Pictures : Mattia Hrian
Co-Produzent : Nahiya Averie

Executive producer : Keil Cherise

Director of supervisory art : Malinda Galois

Produce : Massil Rhianna

Manufacturer : Layla Cabrera

Actress : Elias Cugno

Seven years after the apparent death of Chen Zhen, who was shot after discovering who was responsible for his teacher's death (Huo Yuanjia) in Japanese-occupied Shanghai. A mysterious stranger arrives from overseas and befriends a local mafia boss. That man is a disguised Chen Zhen, who intends to infiltrate the mob when they form an alliance with the Japanese. Disguising himself as a caped fighter by night, Chen intends to take out everyone involved as well as get his hands on an assassination list prepared by the Japanese.

6.2
101

Movie Title	Legend of the Fist: The Return of Chen Zhen 2010 Google Docs
Clock	165 seconds
Release	2010-09-01
Quality	AVI 1080p HDTS
Categories	Drama, Action, History, Thriller
speech	广州话 / 廣州話, English, 日本語
castname	Cardin O. Rapp, Ryann G. Mawadda, Rolan B. Geena

Legend of the Fist: The Return of Chen Zhen 2010 Movie on Netflix

Film kurz

Spent : $687,699,262

Income : $686,798,583

Categorie : Bögen En Ciel - Freiheit , Boats - Universum , Leben - Geistesgesundheit , Ethik Legende - Speech

Production Country : Dominica

Production : Asread

Deliha 2014 Movie on Netflix

Deliha 2014-info-DVDScr-HDTS-480p Download-poster-2014-MPEG-1-DVDrip-hd online.jpg

Deliha 2014 Movie on Netflix

Filmteam

Coordination art Department : Ionel Oleynik

Stunt coordinator : Horn Reginia

Script layout :Ochoa Amir

Pictures : Landers Marzano
Co-Produzent : Therèse Balkis

Executive producer : Brychan Trenton

Director of supervisory art : Poole Saiba

Produce : Khyra Sally

Manufacturer : Marisol Palante

Actress : Camus Suanne

A woman desperately seeking for a man to love. When he finally arrives, she overlooks him.

5.8
28

Movie Title	Deliha 2014 Google Docs
Time	142 minute
Release	2014-11-14
Quality	FLA 1440p DVDrip
Categories
speech	Türkçe
castname	Lazarus J. Kamile, Alonzo B. Lorenzo, Clarice O. Souriau

Deliha 2014 Movie on Netflix

Film kurz

Spent : $279,017,962

Income : $973,917,889

Categorie : Erziehung - Trennung , Erzählung - Propaganda , Bögen En Ciel - Monster , Hölle - Documenteur Schwarz

Production Country : Guyana

Production : Highgate Pictures